The Study of Poety: Mathew Arnold

The method of comparison is relevant in recent times.Arnold give the principle of 'Disinterestedness' or 'Detachment'.
A work of literature should be justice as an independent work or everything being equal its effect on reader.Disinterested near on the part of critic implise freedom from all prejudices, personal or historical. Today we have learn different literature and writer's style and other kind of thing.Literature is give the new idea also.

-The idea of 'The touchstone method ' given by Arnold is not suitable in recent times.
Touchstone method is two primary tools analysis and comparison for judging individual poets.A critic should compare it to passages another works of great master of poetry.Arnold's touchstone method to discover 'tension' or the proper balance between connotation and denotation, in poetry.

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Poem: Were I To Choose by Gabriel Okara

Were I to Choose “When Adam broke the stone and red streams reged down to gather in the womb, an angel calmed the storm”, “And I, the breath mewed in Cain, unbliniking gaze at the world without from the brink of an age”. Gabriel is immersed in folk tradition and ballad influences of tradition and culture are found in his poem. His poems are regional as well as universal. His poems are sometimes lyrical and full of music. The poem ‘Were I to choose’ is reminiscent of yeast poem called “Adam’s Curse.” The poet has tried to compare Adam’s toiling in the soil with the Negros working in the soil. They broke the stone themselves which was their very foundation. The red streams are symbolized for the multilingual diversity that reaches the womb Africa. Cain in this poem metaphorically represents the next generation. ‘I’ in Ok

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Poem: The Mystic Drum by Gabriel Okara

The Mystic Drum: The Mystic Drum is Okara’s love lyric. The Mystic Drum evinces a tripartite ritual pattern of imitation from innocence through intimacy to experience. By comparison to the way of zone as manifested in the experience of Zen master, Chin Yuan Wei-Asian this pattern resolves itself into an emotional and epistemic logical journey from conventional knowledge through more intimate knowledge to learn of experience empowers the lover to understand that beneath the surface attractiveness of what we know very well may lie an abyss of the unknown and unknowable belching darkness. But experience teaches us at this stage of substantial knowledge not to expose ourselves to the dangers of being beholden to this unknown and unknowable reality by keeping our passions under strict control including the prudent decision to ‘pack’ the ‘Mystic Drum’ of our innocence and evanescence making sure that it does not ‘beat so lo

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